By Christopher Lauer
In readings of texts spanning every one thinker’s occupation, Lauer exhibits that animating a lot of Hegel and Schellings' so much passionate paintings is their acceptance of the necessity neither for a canonization of cause nor for its overthrow, yet for its ‘suspension’. Their lifelong willingness to revisit either their definitions of cause and their money owed of its position in philosophy provide those discussions a power and intensity that few within the heritage of philosophy can fit.
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Paperback: 246 pages
writer: Cambridge collage Press (September 19, 2005)
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Additional info for The suspension of reason in Hegel and Schelling
Nevertheless, there is an immanent sense in which reason strives for unity, by which the 25 To mark the Hegelian distinction between the bad and good infinites, Marti renders unendlich sometimes as ‘infinite’ (bad infinite) and sometimes (as he does here) as ‘nonfinite’ (good infinite), depending on which meaning Schelling intends. Even though Schelling did not arrive at what came to be known as the Hegelian conception of good infinity as negation of negation until five years after the publication of On the I, I agree that Schelling is using the term here in the sense of the good infinite.
The dogmatist is by disposition unable to see that by making his existence dependent upon things other than himself, he gives himself over to them and forfeits the autonomy that is his right as a conscious being. Yet though the true system begins with the idealist’s free renunciation of all dogmatism, “one reaches idealism, if not through dogmatism itself, at least through the inclination thereto” (F 1: 434). Thus the idealist’s and dogmatist’s interests and inclinations cannot be irremediably different, and there must be some ground for someone to give up his inclinations to dogmatism in favor of the inclination to idealism: namely, the failure of dogmatism to show what it assumes, the unity of the thing-in-itself and consciousness.
These followers seem to have ignored Kant’s admonition that the thing-in-itself is nothing but a limit concept. Tying Kant’s transcendental aesthetic to the Platonic notions of peiras and the apeiron, Schelling recounts how space provides an object with its extension, an extension which is entirely unlimited until time imposes the limitation of having to occupy one place at a time (S 1: 356). Thus it is only through time that space acquires the determinacy of the three dimensions, just as it is only through space that time is extended beyond a single point.
The suspension of reason in Hegel and Schelling by Christopher Lauer